The Impact of Ranma 1/2’s New Anime on Rumiko Takahashi’s Legacy

 With Urusei Yatsura and presently Ranma 1/2 getting reboots these beyond couple of years, Rumiko Takahashi's Maison Ikkoku stays the sole story yet to get a new transformation. With the business apparently anxious to restore the creator's inventory, it feels unavoidable that Takahashi's excess manga gets another anime - and furthermore garbled that it actually hasn't starting around 1986. Yet, maybe it might at long last just involve time now.



Takahashi's works will generally be recognized as a group of four: Urusei Yatsura, Ranma 1/2, Inuyasha, and Maison Ikkoku. While the previous three have seen reboots and continuations in the previous ten years, Maison stands apart for staying immaculate since its most memorable anime transformation many years prior.

While there has been no great reason for such misgiving, it will be difficult to disregard when even Ranma 1/2 is getting back to television not long from now.


It's The ideal opportunity for a Maison Ikkoku Reboot

Maison Ikkoku's plot is somewhat grounded, zeroing in on Yusaku Godai's growing relationship with Kyoko Otonashi, administrator of the nominal lodging, alongside different misfortunes per section. Of Takahashi's inventory, Maison Ikkoku can be viewed as the odd duck with its rational area, while the creator's different stories infuse an extraordinary component to stir up how the kid meets the young lady.


However with Inuyasha's 2020 spin-off, Yashahime: Half-Devil Princess, alongside MAPPA's forthcoming Ranma transformation, Maison feels strangely missing now with just its 1986 anime. Indeed, even Takahashi's last manga got later variations, similar to Mermaid Adventure in 2003 and Rin-ne in 2015. The chance exists that Takahashi has become inseparably connected with "extraordinary" romantic comedies, which would make Maison bizarre, or some way or another even "exhausting" to adjust.



Regardless, it stays one of Takahashi's most famous manga. With her other three most well known stories seeing new transformations 10 years, any "Rumiko Takahashi fever" grasping the business wouldn't be finished without returning to Maison Ikkoku. Presently couldn't any better time: Urusei and Ranma's restorations bank hard on bringing back series from the 1980s, and Maison Ikkoku would fit impeccably with this kind of advertising push. The equivalent can be said for its kind in the present scene.


Maison Ikkoku Is Comfortable With The present Love of the Normal

While shonen and fight anime were famous in the mid 2000s, the most recent twenty years have demonstrated the resilience of cut of-life series and homegrown romantic comedies. Maison Ikkoku is a genuine grandmaster in this field, with its setting ostensibly setting the norm for "weird lodging sentiments" that has even been returned to this year with Astro Note.


Yusaku and Kyoko are comfortable with the wide range of various unremarkable dramatizations that are well known today; with no guarantees, Maison Ikkoku's last characteristic is a missing 2020 transformation - something that can be effortlessly redressed, and with Ranma 1/2's looming debut, ought to try and be normal.

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